Past to Present: How Triangle Fire Connects to 9/11

History won’t be boring if we show how it affects students’ lives today

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Photo: https://creativecommons.org/licenses/by/2.0/legalcode

 

Reading and writing about the Triangle Waist Co. factory fire allows middle school language arts students to make connections between events from more than one hundred years ago to more recent events. This is the unit my 8th-graders will be starting the new school year with next month. Read here for how we start building knowledge for this unit in May and then continue it during the first days of school.

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Find this on Amazon.com.

These connections to present-day events are made explicitly when we read a book review written by Gregory Stein entitled, “Doomed to Re-Repeat History: The Triangle Fire, the World Trade Center Attack, and the Importance of Strong Building Codes.”

This review analyzes the book Triangle: The Fire that Changed America by David Von Drehle and a book called 102 Minutes: The Untold Story of the Fight to Survive Inside the Twin Towers.  

In doing so, Stein draws upon memory and the human tendency to forget the lessons we learn as we progress (or fail to progress).

 

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Photo: Pixabay

Stein specifically focuses on building code changes instituted following Triangle Fire that were later modified (and by modified, I mean relaxed) during the preliminary planning for the building of the World Trade Center towers in the late 1960s.

Here is an important passage from Stein that shows how he draws connections between the two tragedies:

Now imagine this: “Roughly sixty years have gone by (since the Triangle fire), and there have been no major building disasters since 2001. The building industry argues, with decades of recent history to back it up, that buildings are excessively safe and that the number of tragedies in which the excess safety has mattered has proved to be low, and perhaps zero. Spirited dissent from the few remaining old fogies who have personal recollections of 2001 sounds as antiquated as memories of Pearl Harbor do to most of us alive today. It has not happened in so long, it probably will not happen again. That, more or less, is what happened in New York in 1968. Fifty-seven years after the Triangle Waist Company fire, in which 146 people trapped in the upper floors of an unsafe building burned, jumped, or fell from a collapsed fire escape to their deaths, New York City relaxed its safety rules for high-rise buildings. Technology had changed. Firefighting skills had improved. High-rise fires could be restricted to a few stories, and in most cases people could move a floor or two away from the danger and wait safely for emergency responders to complete their jobs.”

This powerful paragraph powerfully engages my students and shows them how studying something buried in the past like Triangle Fire can indeed have ramifications upon contemporary times. This book review is an incredibly important part of my Triangle Fire and 9/11 unit. I am so grateful I stumbled upon it while researching online.

Another important passage: “The towers, like many lesser high-rises, were built under the assumption that there would never be an occasion in which all occupants would need to vacate at once.”

When I read the following paragraph, I am amazed at the leniencies given to the WTC developers.

And still another: “The Empire State Building, completed in 1931 under the more demanding standards required by an earlier code, has nine stairwells at its broad base and six that run the entire height of the building, one of which serves as an air-locked fire tower that is supposed to be more impervious to smoke. Each of the 1,350-foot tall World Trade Center towers, with slightly greater height, nearly double the rentable square footage, and the capacity for about 33% more occupants, had only three stairwells throughout-the same number as would have been required for a seventy-five-foot building-and no fire tower. All three of these stairwells were bunched together in the least rentable space in the core of the building. Two of the three stairwells in each building went only as far down as the mezzanine, a feature that one fire chief had described as ‘a major building design flaw”‘ in a report commissioned after the 1993 bombing.”

As we make connections between Triangle Fire and the World Trade Center attacks, I make it clear to students that I do not intend to place fault on the WTC engineers and architects for any part of the 9/11 atrocity.  After all, Stein’s review and this World Trade Center evacuation study notes that 87 percent of the people in the towers evacuated safely within two hours. The remaining 13 percent, however, causes me to grieve when I know that it’s possible that some shortcuts (and other factors out of the control of builders) may have contributed in some way to their inability to escape. See the evacuation study for more on this.

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Photo: Unsplash

It’s important that we link events from the distant past to those of the present, relatively speaking. History won’t be boring if we show how it affects students’ lives today and then ask students to reflect upon those effects through writing.


Thanks for reading! Tune in tomorrow when I discuss an assignment about Triangle Fire that finds its way into a culminating project known as the 8th-grade human rights dissertation.

 

Back-to-School with 8th-graders: A Unit on Triangle Fire

Resources for teaching about the event that put a fire alarm in your classroom

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Taken on March 25, 1911 | The New York World, Mar. 26, 1911

On August 15, my 8th-graders will pick up where we left off in May—with a prelude to our study of the 1911 Triangle Waist Co. factory fire and its societal effects.

During the last few days of school, we watched a portion of New York City: The Documentary. It’s usually available at no charge if you have an Amazon Prime account. It is an excellent film that fills eight DVDs, and is directed by Ric Burns, the brother of award-winning documentarian Ken Burns. Interspersing historical photography with contemporary interview clips, including one of Donald Trump commenting on New York City architecture and geology, the film discusses the first wave of immigration of the early 1900s and its effects on our nation’s cultural heritage and economic strength.

The film helps students build the prior knowledge they will need to study the Triangle Fire tragedy next month when school starts. This disaster, noted as being the worst workplace fire in our nation’s history prior to 9/11, resulted in the death of 114 mostly female immigrant workers of Eastern European descent.

This website adds to what students learn in the film with an extensive selection of files. Check out this website from Cornell University to see profiles of survivors, obituaries of those who perished, timelines, newspaper accounts and other historical artifacts to complement the film, and the books that are discussed later in this post. This site is a a true treasure trove.

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We will begin reading portions of Flesh and Blood So Cheap  by Albert Marrin immediately when school starts. I read part of this text aloud and then I assign a chapter or two to students to read in groups at the four tables spread throughout my classroom. At the tables, students read the text jigsaw style, answering questions regarding their respective chapters. After reading their chapter, each student reports back to their “home” group to brief their group members on the particular chapters they read.

Doing this jigsaw activity is a good way for students to capture the gist of the chapters within the book. Working in groups is beneficial and helps students understand the big picture of what I would like students to learn about this time in history: our national response to this disaster and how our society ultimately learned from its failure.

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Our reading activities for Triangle Fire are interspersed with text-based questions that students answer in writing. The style and format of these short text-based question activities are a mainstay of my teaching. I was inspired to create these prompts by this article about New Dorp High School in The Atlantic magazine.

These exercises are a prompt of sorts with some student choice built in. And while I realize the prompts are very formulaic, I’m okay with that, since I believe students need guidance in using the specific tools writers use to express their ideas clearly.

Note: I’ll be writing a post next week with more details about these text-based question exercises, so follow my blog to get a notification if you’re interested in learning more.

Additional short readings are introduced as well in the Triangle Fire unit. We read from a pivotal text, called Triangle: The Fire that Changed America, written by David Von Drehle.  It’s a fascinating book with exciting narrative passages that perfectly illustrate how writers blend narrative into a nonfiction text. Von Drehle’s book explores the causes of the disaster and the outcomes of it. One chief result from the Triangle Fire are the better working conditions that came out of the Factory Investigating Commission, which was established in the fire’s aftermath.

Those better working conditions are something all students can relate to: fire drills. In fact, at the beginning of the unit, I ask students:

  • Why do we have fire drills?
  • When did these fire drills start?
  • Who decided that fire drills are necessary?

These discussions about the positives that came out of the tragedy are important. In fact, focusing on the good that resulted from such a horrifying tragic event —where scores of women jumped to their deaths to escape the factory flames— is about the only way I can see to present this topic. (After all, I’m not out to depress anyone or to add to anyone’s anxiety.)

I must focus on the positive take-away from Triangle Fire: to show students that we can learn from our mistakes. We can take the horrible events of life and turn them around for good. Yes, so many precious lives were lost… but ultimately not in vain.

  • Triangle Fire resulted in those red fire alarms that are placed in every classroom.
  • Triangle Fire resulted in outward hinged doors in places of business.
  • Triangle Fire resulted in fire drills, sprinklers, and other precautions that businesses and public spaces are required to provide for workers and the public.

Learning about Triangle Fire, reflecting, and writing about it will give my students greater understanding of the forces that have shaped our society. It will also make them more empathetic and well-rounded with their world knowledge. We complete the following writing activities to gain a better understanding of Triangle Fire:

  • Text-based question prompts
  • Student’s choice of an essay that may be either
    • informational (as in writing a survivor profile)
    • argumentative essay  (arguing any number of topics, such as the justice in the final acquittal of the negligent factory owners)
    • or narrative (as in writing a letter written by a survivor or surviving family member)
  • An essay that discusses three human rights found in the Universal Declaration of Human Rights that were not protected and/or were violated in the time leading up to the Triangle Fire.

So this is where I will begin the new school year with my eighth-graders. While Triangle Fire is a devastating subject to teach, it is also inspiring and ultimately a testament to the resilience and innovation of our great nation.


Thanks for reading! Click like if this resonated with you. Feel free to leave a comment or questions and to follow my blog!

In tomorrow’s post, I’ll be writing about how I connect Triangle Fire to the events of Sept. 11, 2001. In the meantime, read my post of 9/11 resources. Also this week, I’ll be sharing about the human rights dissertation that eighth-graders complete in the spring. The last essay bulleted above provides one part of this dissertation.

 

Better the second time around: Whippersnappers

We’re jumping into year two of this 7th-grade PBL project

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Photo: Jigar Gamit on Pxhere

We’re doing it again! My seventh-graders will again this upcoming school year be writing the content for a newsletter for kids called Whippersnappers. It’s an activity my students produce in partnership with the White River Valley Historical Society, a regional organization based in Forsyth, Mo.

Last year, the idea for a unique PBL project resulted at the end of the summer when I placed a call to the WRVHS’s director, Leslie Wyman. I simply asked if the society had any writing or research-related needs that my seventh-graders could help with. She replied that, yes, as a matter of fact, their children’s newsletter could use some revamping and some “new blood.”

And just like that, this unique project was born.

My students were so excited when they learned about the project last fall. Many of them jumped right into our brainstorming sessions where we came up with article ideas. They also enjoyed and listened carefully when Wyman visited one day to get the ball rolling. They especially loved taking field trips to the society’s two local museums.

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My students listen to WRVHS Director Leslie Wyman explain how to research for their Whippersnapper stories.

The best moment of all? When Wyman hand-delivered the first issue. They loved seeing their names or their classmates’ names in print. It was a good feeling. We produced a total of four issues and I plan to continue the program this fall with my new seventh-graders. They know all about the project (since most are subscribers) and most seem interested in picking up the baton and running with the second year.

I was just at school yesterday morning unpacking boxes that held the items I requisitioned last spring. Inside one package was a clear plexiglass brochure holder that I’ll mount near the door to my room. Here is where I’ll post extra copies of the newsletter. The cardboard sign that our graphic design students created last year looks a little tired; my new holder should work perfectly.

As I begin to plan for fall, I have a few things to do to get ready for Whippersnappers year 2:

  • I’ll have to dig out the “story starter” page that I created with my students last year to help them begin to assemble ideas and notes for their stories.
  • I’ll also have to remember to schedule a day to show them how to access historical articles on the WRVHS’s website. These were our main sources of information for our stories last year, and I’m not entirely happy with that. I would prefer there be a wider mix of sources–other online articles and databases, in-person interviews, books–for students to use.
  • Fine-tune more research methods. Privacy and safety concerns are my main concerns when determining other research sources. In order to learn more about that, I may need to meet with Wyman before school starts to see what alternative ways we can develop for kids to safely and privately find information.
  • One idea: Private Facebook group where students anonymously interact with researchers at the WRVHS? That’s one idea Wyman and I have bantered about, but haven’t acted upon yet. This fall may be the time to pursue that idea.
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The first issue of Whippersnappers, Oct. 2017

Another goal for this upcoming school year: boosting the circulation of the Whippersnappers.

  • Could it be promoted to other area schools?
  • Could it be promoted to area readers through libraries?
  • Could we secure corporate support? The WRVHS utilizes grant money to print and mail the Whippersnappers right now. Is there a local company who would like to work with us? So many questions!

Regardless, I’m excited to start another year of Whippersnappers. I think it’s so important for students to write for a real-world publication. When I was a seventh-grader, I would have loved to see my name in print like my students do.

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The second issue of Whippersnappers, Dec. 2017

It’s my sincere hope that my students will see that they have the ability to be real-world writers, especially since they already are… thanks to the Whippersnappers and the WRVHS.


Thanks for reading! Follow my blog to hear how the second year of the Whippersnappers goes. I’ll be posting about it this fall. If you have any unique PBL projects, I’d love to hear about them. Feel free to leave a comment!

I love this back-to-school poetry project for 6th-graders from YA author Kate Messner

It combines poetry and revision (and publication!)

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“Sometimes on the beach, I see balloons floating and people walking.” Photo by Gabriel Baranski on Unsplash

“The Sometimes Poem” is one of my favorite ways to start the school year with my sixth-graders. I’ve used this project for two years running and I plan to use it again in August. It includes three skills: poetry techniques, revision, and submitting for publication. I credit children’s and YA author, Kate Messner, for her inspiration and ideas for this project.

In 2016, I attended the Write To Learn Conference and sat in on Messner’s presentation on revision strategies.  Her presentation allowed the teachers in attendance to create and revise their own “Sometimes” poems.

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This book contains real-life strategies real authors use when they revise their novels, articles, and short stories.

Here’s how I present this lesson that’s based on Messner’s slideshow and her excellent book, Real Revision. (My copy, shown at right, is old, but awesome.)  I’ve tweaked Messner’s slideshow for my own use over the past two years. First, download the Google slideshow. Then, skim through the slideshow to become familiar with the project. Notice that I have hidden some of the slides for this project. As you skim, you may decide to modify my changes to fit your needs and students.

  1. Ask students to write for three minutes to describe a place that they love. We use pencils and paper for this to get fresher ideas and more thoughtful writing. Laptops can be used later after revision and before submitting to the publisher.
  2. Before students begin, I share a paragraph I’ve written about my favorite place, which is on a swing in my yard. My paragraph serves as a mentor text.
  3. After three minutes, ask if students would like two or three more minutes, extend the time. usually, in my experience, students need a few minutes more.
  4. Students may share their writing about their favorite places.
  5. Have students listen as you read aloud from Messner’s own poem, “Sometimes On a Mountain in April.” Messner’s poem can also serve as a mentor text, but in addition, it shows students how their paragraph will soon be transformed into a poem.
  6. Show students your attempt at turning your paragraph into a poem. Read aloud one more time your paragraph, and then read to them your poem. Discuss with students how to pull details from the paragraph to create lines for a poem that are filled with imagery.
  7. Also show students at this point how to use repetition in their poem, just like Messner did. She added the words “Sometime on a mountain in April” about every three lines. This creates a poetic structure and rhythm to their writing.
  8. For me, this step is usually when students really begin to like what they’ve written. Have students transform their paragraph into poetry. You’ll need about five to eight minutes for this step, but allow more if students need it. For those who struggle, help them locate one detail that they can craft into a line of a poem.  After helping them do this one line, it’s their turn to find another.
  9. After students have six lines for their poem, tell them that it’s time to revise.
  10. Go deep with a quick discussion of theme… what the poem is REALLY about. On the surface, my poem is about sitting in a swing in my yard. However, it’s REALLY about appreciating the little things in life. In a word, contentment. I learned to spend a small amount of time on theme with this project, but not too much. If students can end up telling you what their poem is about on the surface AND what it’s really about, then you’re good. Let revision be the focus for this project.
  11. To revise, ask students to add more imagery and sensory language. To do this, have students add one fragrance to their poem. It should be a new line of poetry. Show them yours. It’s good to have your original six lines on the board. Then add the new fragrance line(s) below. Students may add as many lines as they would like, but one helps them see how sensory language enriches their writing.
  12.  Keep revising! Have students add one more of the five senses to their poem. They definitely have sight if they’ve written anything at all, and they’ve also added in a fragrance. Students should be adding a sound, a taste, or a texture to their poem now. Show them yours again, if needed, as a mentor text. With this step, students see that adding details is one way to revise.
  13. Revise some more! Have students scan their poem for these overused words: very, really, just. With this step, students see that removing unnecessary words is another way to revise.
  14. Keep at it! Have students remove five more unnecessary words. Tell students to look for the least important words. If kids struggle to find five, require that they at least remove three.
  15. Now revise with a partner! Put slide 95 on your screen and leave it there for the partner work. Have one student pass out a pink, green, yellow, and pink highlighter to each student. Note: Use any four different colors, but everyone needs to have the same colors. Read aloud this slide first with your students after they pair up.
  16. Students will use the pink highlighter to indicate areas that should be removed. They’ll use green to indicate confusing areas. Blue indicates areas that should be more precise or more detailed. Yellow indicates that a line or area is effective as is.
  17. Before students begin highlighting, pass out one sticky note to each student. Tell students that they are to write notes for your partner that explain your highlighting (if needed)  and to offer suggestions.
  18. When students are finished highlighting and writing notes on the sticky note, show them the “When your partner is done” slide. Have students rework their own poem again, considering their partner’s suggestions.
  19. Use this moment to revisit theme. Have students ask themselves “What is my poem about? What is my poem REALLY about? Is that theme clear in my poem?” You may need to help students think of words and phrases that will help them convey their theme. This is tough. Don’t stress it with your sixth-graders. It’s good that they are putting effort into this higher-level skill.

So that’s the basic framework for this exciting poetry project. I have used it for two years with both sixth- and seventh-graders each August. It’s a great way to get back into the “writing zone” and it helps me get to know my students and their personalities. In fact, here’s a poem written by one of my students last year:

Sometimes in a Tree Stand

by Alex J.

Sometimes when I’m sitting in my tree stand,

early in the morning,

I can hear dogs barking through the hills

and can see the birds fly above us.

Sometimes when I’m sitting in my tree stand,

I can hear the leaves crunching when animals walk,

and sometimes smell the pine trees.

Sometimes in the tree stand,

I can feel the morning breeze.

Then time goes on.

The dogs go quiet,

and the birds settle down.

The leaves stop crunching.

And the smell of the pine trees

are replaced by the smell of the day.

The morning breeze dies down,

and I know it’s time to leave,

but I’ll come back tomorrow.

The heavy emphasis on revision subtly shows students challenging and fun ways to add sensory language and delete unnecessary verbiage from their poems. What’s more, it exposes students to theme and guides them in seeking elements of deeper meaning in their work.

But that’s not all! Have your students enter their “Sometimes” poem in Creative Communication’s Poetry Anthology contest. Their work just might be published in a hardcover book! Alex J’s. poem (above) was published and showed Alex that he has real potential as a writer. Read this post for more information about the anthologies.

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Creative Communication’s Poetry Anthology Collection includes volumes for 6th-graders (not shown).

I can’t tell you how great it is when students realize they’re sending their poems to a publisher. They will definitely step up their effort and take greater care with their work once they know their poems are going places! In fact, you may want to tell them at the beginning of the project that they will eventually submit their poems to a publisher. I assure you that it will set the stage for more engagement.

Thanks for reading! Try this project. I really think you’ll enjoy using it as a BTS project. Thanks to Kate Messner for her inspiration and materials!

Follow me on Instagram!

Find me at elabraveandtrue

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Photo: pxhere.com

I just returned from a professional development conference and the teachers I met there are like me: we’re gradually starting to make the mental shift in anticipation of in-service days and the first day of school, which in my district is August 16.

So, as the summer winds down and school approaches, I’ve decided to start a new Instagram account that ties in directly with this blog. It contains posts about articles here, classroom photos, and other fun stuff. Over the next few weeks, also plan to find before-and-after photos of my room as it transforms for the new school year.

Then, as the school year takes off, stick around for more posts about the day-to-day routine in my 6-8 ELA classroom… including posts where I share about my successes and my epic fails.

The whole point of this blog is to share what works and what doesn’t, and occasionally Instagram allows me to share about that information in a more spontaneous way.

I envision that both social venues–this blog and my new Instagram— will work in tandem to keep us in touch with one another. Follow me on Instagram at elabraveandtrue.


Thanks for reading! Click like so others may find this post more easily, then follow me to receive more news about my experiences with middle school ELA. Have a great day!

New book for my classroom!

Flying Lessons & Other Stories | Edited by Ellen Oh

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New book! Yay!

Last week I ordered Flying Lessons & Other Stories from Amazon for my classroom library. I had learned about the book by visiting the American Indians in Children’s Literature (AICL) blog a couple of weeks ago as I was researching and reading for two posts I wrote, Punishing Laura Ingalls Wilder and A Source for Native American Lit.

Flying Lessons was included in a list on the AICL blog of Best Books for 2017 by native writers or illustrators. It was the only book listed under the heading “For Middle Grades.” The specific Best Book status was for the short story entitled “Choctaw Bigfoot, Midnight in the Mountains.” The author, Tim Tingle, is a member of the Choctaw Nation of Oklahoma. Like other authors mentioned on the blog, Tingle’s story is honored for its accurate portrayal of native people, their traditions, cultures, and beliefs.

Flying Lessons & Other Stories contains ten short stories and poetry by ten diverse writers, including Kwame Alexander, Grace Lin, Walter Dean Myers, and Jaqueline Woodson, among others.

Ellen Oh,  co-founder and president of We Need Diverse Books, edited the collection of stories. This organization, according to its website, exists to advocate “essential changes in the publishing industry to produce and promote literature that reflects and honors the lives of all young people.”  In the words of Walter Dean Myers, as quoted in a section of the book entitled “Why We Need Diverse Books,” young people need to see themselves reflected in the pages of the books they rea.d

So far, I’ve read only a few selections from the book: Tingle’s story, Tim Federle’s “Secret Samantha,” Jacqueline Woodson’s “Main Street,” and the collection’s namesake, “Flying Lessons” by Soman Chainani. I feel that the book will be good for reading aloud during class, and also a source of mentor texts that contain effective examples of realistic dialogue, descriptive settings, and captivating opening lines. I’ll be reading more stories from the book over the next week.

I struggle to find engaging short stories for middle school students. Since I usually start the school year off with memoir writing, I feel that this book will provide relevant, contemporary storylines and characters that my students can identify with.

One regret: I do wish the book had a more interesting cover. Because of its text-only design, I already know I’ll have to really talk up the book to get my students to check it out. Books with photographs or colorful pictures or illustrations always get more attention.

As I work more with the book in my classroom, I’ll relay to you how my students receive it. In fact, having a few of them write a short review will be beneficial for them and you.


It’s fun to add new books over the summer when I actually have more time to read. Thanks for checking out this post. Follow my blog for more book reviews as I discover new reads!

 

When my class is your class’ punishment

Since when should writing be a form of punishment?

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Photo by Charles Deluvio 🇵🇭🇨🇦 on Unsplash

This happens every so often: I’ll be talking to other teachers about some discipline issue they experienced during the day where they had to dole out some kind of punishment. More times than I want to remember, they’ll say something like, “So I made him write an essay about…”

Then I’ll think to myself: Great. Here I am trying to teach kids in my middle school language arts class to love writing, to need writing, and to see its value in their lives, and this teacher is using it as a punishment.

And no, this doesn’t happen frequently, but it still happens often enough.

Thankfully, the National Council of Teachers of English took a formal position on the issue as long ago as 1984. Its “Resolution on Condemning the Use of Writing as Punishment” warns that the practice “defeats the purposes of instruction in this important life skill and causes students to dislike an activity necessary to their intellectual development and career success.”

In other words, punishing students with writing assignments—whether those assignments are paragraphs, full essays, or even merely copying sentences over and over a la Bart Simpson—creates students who associate writing with drudgery.

However, writing should not be a punishment.

Writing should be seen as a diversion where students can express themselves and their ideas in creative and unique ways.

Writing should be seen as the literary art that it is, no matter if students are writing an essay for class, a novel for Wattpad, a screenplay for a contest, or even an entry in their own journal.

Writing should be seen as an intensely personal endeavor that can serve them well as they continue through life.

So punishing a student with a writing assignment does not sit well with me. After all, does punishing a student with the task of writing an essay actually curb the unwanted behavior? Or does it just compound the notion that writing is something to avoid, something no one would ever want or need to do?

When should the act of writing—and, in a broader sense, the act of learning (since writing is one way we learn)—be a form of punishment?

Never.


Click like if you can relate. Also, leave a comment with your own experiences with “writing as punishment.” Follow my blog for more writing about ELA middle school teaching.