The One-Word Summary

It’s one of the most specific and structured assignments my students do.

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Photo: Pixabay

One of my favorite activities to do in my language arts classes is to assign one-word summaries. These quick assignments are an easy way to encourage kids to think deeply about a text, including its theme or gist.

I assign one-word summaries for literature or informational text, for short articles or longer passages, or even whole books. I assigned a one-word summary to my eighth-graders about a week ago after we read an excerpt from 102 Minutes: The Unforgettable Story of the Fight to Survive Inside the Twin Towers by Jim Dwyer and Kevin Flynn. I also just assigned one on Thursday to my sixth-graders based on a short story we read from our textbook, “All Summer in a Day” by Ray Bradbury.  Some of my sixth-graders are still working on theirs and I’ll give them more time on Monday, Oct. 1 to finish it; this is the first of these exercises they’ve encountered in my classes.

The basic assignment is:

  1. Read a text.
  2. Choose one word to summarize it. (Sometimes, depending on the passage, I may have students choose their word from the text.)
  3. Write a paragraph or that explains or defends how the word summarizes the text.
  4. Here’s how I tweak the assignment to help students write more fully.

I also require that:

  • They quote the text directly by requiring that one sentence start “According to the text/article/story,… followed by the direct quote.”
  • They interpret the quote and how it summarizes by following the direct quote with a sentence that starts “In other words, …”. This prompts them to rephrase the quote, explaining it in their own words and possibly coming up with additional ideas to support their summary.
  • Adding a sentence or two after their “In other words,” sentence with more discussion of the quote and how it supports their one word.
  • They elaborate by adding somewhere in their paragraph a sentence that starts “For example, …”.
  • They use complex sentences by starting one sentence with a subordinating of their choice. I have a chart on the wall in my classroom that lists the most common ones: although, while, when, until, because, if, since. (Sometimes we call these subordinating conjunctions by the acronym AWUBIS words.)
  • Last week, to change things up with my eighth graders, I had one student choose one AWUBIS word that they would all use, and I asked them to start their summary with this word. The chosen word was “If.” Starting a sentence with “If” will automatically create a nice, flowing complex sentence. (Just to make sure they can write one of these, I usually have a few students rattle me off an example; if someone has trouble, I do some explaining and write an example on the whiteboard.)
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Here’s the rubric score sheet that kids follow along on as their friends read their one-word summaries. 

Sometimes, I’ve wondered whether having all these requirements seems a little excessive, so I will occasionally, depending on the text, adjust the rubric to fit the text or a student’s ability level. I used to feel also that I was forcing a formula into my students’ writing. However, I don’t worry about that anymore, especially when I know I offer them plenty of creative writing activities and projects

Another reason I don’t worry about forcing a formulaic style of writing onto my students is because I’ve done some reading about the benefits of providing kids with specific tools for analytical writing. I added the “ According to,” and “For example,” sentence starters based on tips outlined in The Writing Revolution: A Guide to Advancing Thinking Through Writing in All Subjects and Grades by Judith Hochman, Natalie Wexler, and Doug Lemov.

I learned about this curriculum when I read “How Self-Expression Damaged My Students”  in The Atlantic magazine, which included details about the changes in writing instruction practiced at New Dorp High School in New York City. I figured if it worked there, I should try it here. This is a super compelling article to read that stresses the importance of providing students with the exact words they’ll need to use to craft complete, fleshed-out ideas.

The idea to encourage kids to rephrase evidence with an “In other words,” sentence came directly from the book They Say, I Say: The Moves that Matter in Academic Writing by Cathy Birkenstein, Gerald Graff, and Tony Craine, and Cyndy Maxwell. One chapter in this book discusses how to “interpret” texts with the goal of not being a “hit and run” quoter, but instead to stay on the scene of the quote and explore it, discuss it, and relate it to the point of the paragraph.

About every other time my students write one-word summaries, I’ll have them present these to the class. I’ve found it works best to let them know from the beginning that they’ll eventually be presenting these in class. They try a little harder that way.

To start with, I make a rubric score sheet that the listening students fill out. The sheet is customized for the specific summary we’ve written, since I change up the requirements from one summary to the next.

As students read their summaries out loud at a podium at the front of the class, those listening really have to pay close attention. First, they must write down the chosen one word. Then when they hear the “According to,…” sentence, they check it off. When they hear the “For example,” or “In other words,” sentences, they check those off, too. I also have them rate the summary on its “clarity”, i.e. how easy it was to understand and follow.

I also ask presenters to make eye contact and use a hand gesture or two or to step out from behind the podium. Some kids will go out of their way to make googly-eyed contact  with me or a friend in the audience. I don’t mind that. It’s all part of learning to be comfortable up in front of a crowd.

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After they present, kids get candy, a Brave Buck, and stickers.

Presenting our one-word summaries usually ends up being a fun activity (I usually schedule it for a Friday), even though kids may be a little nervous at first. I don’t feel comfortable up in front of big crowds, either, so I understand how they may feel. I’ll even stand up next to a student if it helps them. I don’t want this to be an overly stressful part of the assignment.

And then when they’re done presenting their summary, if they’ve included all of the requirements in the rubric, or at least made a good, honest effort to, they receive lots of fabulous merchandise: three Brave Bucks (our school’s incentive coupon they can spend in the “store” on Fridays), a piece of candy, and a sticker of their choice from the stockpile in my desk.

Oh, one other thing: they also get to draw the next number for the next presenter… the next lucky member of our studio audience. The rubric score sheet has enough spaces for everyone, but drawing names makes it more fun. We applaud after each person speaks because everyone at least tried.

The one-word summary, while being one of the most specific and structured assignments we do, is also one of the most fun. I honestly believe it has helped my students think more deeply, better use and interpret the evidence they choose from their texts, and write more fully.


Thanks for reading! Let me know if you’ve tried this activity with your class and what “tweaks” you’ve made to make it work for you and your students. Have a great week!

Our field trip to a local 9/11 memorial

Plus: a few things my students didn’t know about 9/11

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On Wednesday, Sept. 12, I took my eighth-grade students to a local college to view the 9/11 memorial there. I have wanted to do this for a couple of years and finally, this year the stars aligned: my lesson planning fell into place, a few phone calls were made, permission slips were returned, and it happened.

My co-teacher next door and I both share classes, and as a result, we have a possible 100 minutes available to take short outings around our town. Local field trips are actually something we should take more advantage of because I think it really helps kids to get out into the community and experience what it offers.

Viewing the local memorial’ actual steel column from a building destroyed on Sept. 11, 2001 is important and helps to make the terror attacks a tangible reality for kids. Since they weren’t even born yet in 2001, I get the feeling from talking with them that 9/11 is an event relegated to the distant past, (as hard as that might be for older adults to believe!).

Fortunately, middle school kids are VERY interested in the attacks, however. They want to learn about them and understand the gravity of the event.  Read this post to see how I cover 9/11 in my language arts classes.

Here are a few things my students didn’t know about 9/11 prior to our discussions:

  • One student thought that only one plane was involved.
  • They didn’t know the hijacked planes were carrying passengers; they thought the hijackers were flying their own empty planes.
  • A few didn’t know that radical Islam was the religion observed by the hijackers.
  • They didn’t know that people from all over the world worked in the World Trade Center towers.
  • They didn’t know about the bombing of the Pentagon or Flight 93 in Pennsylvania.
  • They had no idea the cleanup lasted for nine months.
  • They didn’t know that buildings in addition to the Twin Towers were damaged and/or required demolition.
  • They didn’t know anything about the World Trade Center bombing in 1993.
  • They didn’t know who Osama bin Laden was.

This week, kids will continue to read about the 9/11 attacks and apply what they learn to a few writing projects. I’ll update you on those activities soon.


Thanks for reading! Leave a comment with your own 9/11 teaching ideas and projects. I’d love to hear what you do in your classroom.

The Candy Memoir: A Sweet Assignment

This candy-themed essay is a great intro to the genre of memoir

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I made this image using Canva.com and included it on my Instagram account, @elabraveandtrue.

My second writing project with sixth-graders (after the Sometimes Poem) is memoir writing. We dip our toes into memoir writing by documenting memories that involve candy. If kids can’t think of anything or don’t really like candy, they can write about a favorite food instead.

Memoir is usually a new genre for sixth-graders, so we first learn what a memoir is. To do that, I start with what they know… a story about something that’s happened to them. It can be a happy time or a sad time, but it just has to be a true story. This is called the personal narrative, and this year, when I asked who could tell me what a personal narrative is, several hands shot up. That’s an awesome sign! I so appreciate the teachers these kids had in their elementary years. They have established such a firm foundation to build on!

After discussing the features of a personal narrative, I passed out a memoir to everyone. This one was called “Whatchmacallits and Me” and had been written by Hunter, a former student who is now in high school. Several of the kids knew this student and were curious to see his writing.

I turned on my document camera, and asked kids to draw a line on their copy of the memoir. This line was just above the last paragraph, which contained a reflection or observation written by the student about the memory. I then asked the kids to crease the paper on the line, folding the last paragraph under the sheet of paper. I made a point to call the part they were now looking at a personal narrative.

I read aloud the narrative from the beginning to the line that we had drawn. As I finished reading, I told them, “That was the personal narrative.” Then we briefly discussed the strongest moment in the narrative, the weakest moment, and other things we noticed.

Then I asked the kids to unfold their paper After everyone had unfolded their paper, I announced, “Presto! Abracadabra! Just like magic, Hunter’s narrative has turned into a memoir!” By folding down the final paragraph, which contained the reflection, we revealed the memoir. I explained it this way so they could see that a memoir contains everything that a narrative does, but that it also includes a moment of reflection.

I also show a Powerpoint slide that shows the differences between the personal narrative and the memoir. I leave this up on the Smartboard for the duration of class. See below for these lists:

Here are the features of a personal narrative, as listed in my Powerpoint:

  • A story based on a memory or experience
  • Uses 1st-person point-of-view (I, me, we, us, our…)
  • Has an interesting lead that “hooks” the reader
  • Has a beginning, middle, and end
  • Uses sensory language (sights, sounds, smells, tastes, texture)

Here are the features of a memoir, as listed in my Powerpoint:

  • A story based on a memory or experience
  • Uses 1st-person point-of-view (I, me, we, us, our…)
  • Has an interesting lead that “hooks” the reader
  • Has a beginning, middle and end
  • Uses sensory language (sights, sounds, smells, tastes, texture)
  • BUT ALSO: Has a reflection… a “lesson learned”, a realization, or an explanation of why the memory is important to you
  • BUT ALSO: May contain exaggeration, and made-up details, if necessary.

We repeated this same procedure for another former student’s memoir about chocolate-covered graham crackers. For good measure, we did this one more time with an essay titled “Ice Cream” from the book, Candy and Me: A Love Story by Hilary Liftin. I searched on Amazon.com for it and its current edition’s title is Candy and Me: A Girl’s Tale of Life, Love, and Sugar.

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Liftin’s book contains several (around 30-40) memoir essays about specific candies. I especially like the chapters on Bottle Caps, Ice Cream, Tootsie Rolls, the Bubble Burger, Sugar, Candy Corn, and Conversation Hearts. (There are a few essays with passages not suitable for middle school, so plan ahead for that.) However, this book provides enough texts to share with students to help them get ideas for their own.

Following all of these read-alouds, we did quite a bit of sharing. We talked about our favorite candy, why we like it so much, and then we tried to narrow our ideas to a specific memory with that candy.

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Memories with our favorite candy don’t have to be life-changing to make a good memoir; if sitting around the campfire eating s’mores just reminds one of being happy, then that’s a special enough memory for the assignment. It’s okay for the reflection to simply acknowledge that a s’more reminds you of good times.

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This is the table of contents from the Liftin book, Candy and Me. It’s full of fun chapters.

At this point,  I had students get out a sheet of notebook paper and asked them to do some free-writing about their favorite candy. Getting thoughts down about their candy was the main objective. They could start by simply describing their candy… flavors, texture, appearance, or what the

Many started bringing me short paragraphs about how great their candy was and that was okay. However, at this time, I asked them to record a memory with the candy. It could be as basic as just riding home from the grocery story in the back seat of the car, slowly peeling back the wrapper and inhaling the white chocolate aroma of a Zero bar. This usually prompted students to get a little more down on paper.

Sixth-graders love to write a few lines and then come up to you and ask, “Is this good?” They really want to do well.

As a usual practice, I like for kids to do their initial writing by hand on paper. When they have filled up the front of a sheet of paper, I allow them to get out a laptop and type it up, making any changes they need to as they go. One page of writing is a lot to a sixth-grader, so I offer to give them ideas if they get stuck and can’t fill up the page.

Probably the best thing about these candy memoirs is they allow me to talk with each student individually and get to know them a little better. It’s fun to find out that we like the same candy, for example. Sometimes we find out that someone’s favorite is someone else’s least favorite.

It is difficult for some kids to add reflective moments into their narratives. Many will simply not add them until I prompt them with a phrase such as, “Looking back on it now, …” or “Eating Skittles showed me that…”

The candy memoir is an entry point into the genre of memoir. In fact, we follow up this sweet assignment by writing a memoir that isn’t based on candy, but on a memory of a special moment from their young lives. As we get into this part of the unit, I’ll fill you in on those details.


Thanks for reading! Check back with me next week for a continuation of this post. I’ll write about the next step… venturing out into writing a memoir about a special or memorable moment. 

 

Headline poetry is so much fun!

It’s already my favorite back-to-school activity

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A few lines from a headline poem created by one of my seventh-grade students.

For the first week of school, my seventh- and eighth-graders created poetry made up of words and phrases found in newspapers and magazines. I found the idea on NCTE’s website, which offers lesson plan ideas. I also accessed this site where I found this beautiful quote that captures, for me anyway, the nature of headline poetry.

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This is a picture of the words I used to make my own headline poem, which I used to show my students what a headline poem looked like. Showing kids an example of what they are making is important. I guess you could call this a “mentor headline poem.” 

Finding words and then limiting yourself to using those words in your poetry creates spontaneous word choices, unexpected metaphors, and other surprising experimentation with language. My students fully enjoyed this project. I actually had a few students rushing into class, wanting to dive right back into the project, picking up where they left off the previous day.

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Students need to use a variety of publications in which to find words. My school’s librarian gave me several copies of Motor Trend, Field & Stream, Dirt Bike magazine, Boys’ Life, and Sports Illustrated to add to the collection of women’s magazines (Vogue, Vanity Fair, Better Homes & Gardens, etc.) that I brought from home.  Variety is key.

One thing I especially liked about the project is that it capitalizes on the first few days of school. Kids naturally want to talk and visit with each other after summer break. During the first two class periods of the project, they were allowed to do just that as they searched for and cut out 75-100 words and phrases.

Then, after most of them had their words cut out, it was time to settle down a bit and start to concentrate on their poems, arranging and rearranging the pieces of paper on their desks or tables. It was truly “playtime with words,” which is a nice way to ease back into the school routine. I am definitely going to do this activity again next year.

Here’s the basic plan I used from a handout I made for students:

The Process
A headline poem uses words or phrases from newspaper and magazine headlines to craft a poem. There are several steps:

  • Make an envelope with construction paper and tape. Put your name on it. Keep your clippings in it.
  • Select some newspapers and magazines, leaf through them, and cut out interesting words and phrases from headlines. Avoid small print words because they’re too hard to keep track of and glue down later. Collect between 75 and 100 words and phrases from different sections of newspapers and magazines to gather a range of vocabulary, as well as selections of nouns, verbs, adjectives, and adverbs.
  • Don’t forget to cut out basic words such as the, a, an, and, and prepositions such as into, over, beyond, and through.
  • Use a variety of publication subject matter; don’t just use fashion magazines. For example, use fashion magazines, hunting magazines, the local paper, and a recipe magazine.
  • Scatter the words and phrases on a desk, table or the floor, and look for themes, synonyms and rhyming words. Play with the words and how they sound.
  • After you have your 75 words, avoid the temptation to go back to the magazines to search for specific words; use your clippings. Let the “found” words direct your poem; the spontaneity of headline poetry is what we’re after.
  • Arrange and rearrange the words and phrases on a page and read them aloud to check for fluency and impression. Because there is a visual quality to headline poetry, the placement of text can contribute to the presentation of ideas and meaning.
  • You may see a theme or a topic emerge as you play with words. Go with it!
  • When the desired order and placement of text is achieved, glue the words onto a blank sheet of 11″ x 17″ construction paper with a glue stick.
  • Work neatly and slow down when you’re gluing. Don’t let the project “fall apart” because you rushed.
  • Don’t forget a title. Your first line may work well as the title.
  • When you are totally finished with your poem, write your name on the back and turn it in. When we display these in the hall, I will give you a nameplate to fill out that will be placed on the front.
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Fun project!

Some of the poems are incredible with interesting word combinations and definitely higher order thinking.

When students were limited to using the words and phrases they “found,” it required that they take risks with their word choice. It required that they experiment with words.

For example, in the example at the top of this article… who would have ever described a sunset as pure iced tea?

That’s the excitement and fun of headline poetry. I definitely recommend it. Try it sometime!


Follow my blog to get an email when I post pictures of my students’ headline poems displayed in the hallway. You’ll see the variety of how kids adapted to this project. Obviously, some were comfortable experimenting with words and some weren’t. In any case, I think most, if not all, enjoyed the hands-on nature of the project. Thanks for reading! 

I’m finally trying out Planbook for my lesson planning

I’ll let you know how it goes.

 

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Photo by Marten Bjork on Unsplash

Late last week (Thursday night?), I began experimenting with Planbook, the online lesson planning program. I had heard about it from a teacher-friend of mine who is in her second year of teaching. Obviously, all these new apps for teachers don’t always get discovered by veteran teachers who are just slogging it out in the classroom day in and day out.

Anyway, about a year ago, I remember looking at Andrea’s lesson plans. I remember thinking how nice it was that her plans were available online at any time. In addition, she could access them at home on her personal laptop, on her phone using the Planbook app. She could also maintain these plans year after year and easily access them.

I am using the program’s 30-day free trial right now. The full version apparently costs $15 per year. I’m guessing I’ll be contacted to upgrade in about a month.

My current system is very “old school.” I write my daily plans out on sheets of paper in a three-ring binder. You can see an old binder from 2014 in this photo. When I fill up the binder, I put a little label on the spine of the binder and then store it either on the table behind my desk or in my closet.  When I need to find out what I did in my sixth-grade classes last year when we were starting to learn how to write five-paragraph essays, for example, I have to find the binder and then dig through the daily sheets, assuming I know approximately what time of the year to look for.

It’s time-consuming. My notes are there, but sometimes during the quick rush of the day, I might have scribbled an abbreviated note that made sense at the time, but definitely doesn’t now.

I also use a spiral datebook planner in tandem with the daily sheets in the binder. The planner helps me plan for long periods of time and inform how I plan when I fill out the daily sheets. Using these both works… kinda. It seems like my system could be so much more streamlined.

At least it’s better than it used to be. During my first few years of teaching, I filled up a binder each quarter. Then for a couple of years, I only filled up two binders… one binder for each semester. Finally, over the past two years, I’ve been able to fit the entire year into one binder.

Regardless, it just isn’t efficient.

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This is my old planning method used on the first day of school this year. Don’t laugh. 🙂 It worked for seven years.

So, last Thursday, I decided to finally give Planbook a try. I had contemplated using it several times but didn’t take the plunge until Thursday, the second day of school. I was filling out my daily sheets, thinking to myself This needs to change, and then I just googled Planbook and dug in.

It wasn’t hard to figure out Planbook. I would call it intuitive, even. There are various “levels” of planning you can do. I chose the middle level of complexity, but so far have filled out the template in a minimal way. There are spaces to add standards for each lesson, for example, and I can go in and do that later, but for now, just knowing I have a neatly typed template for my day-to-day planning is great. I’ll print my plans out for now so I can read them on paper throughout the day. I really don’t like doing everything on a screen. The best part of this switch is knowing that these plans will be easily accessible in the future.

That’s really all I know about Planbook at the moment. I know very little about what more is available if I were to purchase the $15 upgraded version. It’s also worth noting that the program isn’t just for teachers to use. There are ways for students to access the program, as well as administrators. As I continue to use it and explore its features, I’ll let you know what I learn. And if I decide to ditch it all together for some unforeseen reason, I’ll let you know that, too!


Thanks for reading! Do you use Planbook? Got any advice or ideas to share? Feel free to leave a comment about your experience.

 

Three Points I Pull from “They Say I Say” in My 7th & 8th Grade ELA Classes

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They Say I Say (Third Edition, 2015)

 

I came across this book, They Say I Say (Third Edition, 2015), when my son’s college English composition instructor required it for his freshman-level course. I thumbed through it, read a few chapters, and found some very concise passages written to help students solve probably the number one problem that I see in their academic writing: a lack of idea development.

While this is a college-level text, I use three points from it with my middle school students because of how easily accessible the explanations are. I’ll be honest. It’s hard for me to explain how to interpret a quote, how to elaborate, etc. It’s really a skill learned with practice. Still, kids need an introduction to it before they can practice.

This text puts into words these difficult concepts and how to master them. I usually use a combination where I read-aloud from copies of the text and then all-class discussion during and after reading.

Here are the three areas that I have pulled from this book and use with my seventh- and eighth-graders to teach them 1) how to quote sources, 2) how to write a counter-argument, and 3) how to make their writing flow. Here are the parts of the book that help me teach these three things:

  • The Art of Quoting (Chapter 3) gives great advice for how to adequately introduce evidence into expository writing. For example, writers should:
    • quote only relevant passages
    • frame or introduce every quotation with a little background that builds up to the quote and provides context
    • don’t be a hit-and-run quoter… after presenting the quotation, writers should stay “on the scene” and explain how the quote supports the point being made
    • try the templates in the chapter that can be used for both introducing quotations and explaining quotations
    • blend the author’s points with the writer’s
  • Putting a Naysayer in Your Text (Chapter 6) offers students good ideas for adding counter-arguments and rebuttals to their arguments. For example, writers should:
    • anticipate objections. Here’s a passage I read aloud and then we discuss as a class:

“But wait, you say. Isn’t the advice to incorporate critical views a recipe for destroying your credibility and undermining your argument? Here you are, trying to say something that will hold up, and we want you to tell readers all the negative things someone might try against you? Exactly. We are urging you to tell readers what others might say against you, but our point is that doing so will actually enhance your credibility, not undermine it. As we argue throughout this book, writing well does not mean piling up uncontroversial truths in a vacuum; it means engaging others in a dialogue or debate– not only by opening your text with a summary of what others have said,… but also by imagining what others might say against your argument as it unfolds. Once you see writing as an act of entering a conversation, you should also see how opposing arguments can work for you rather than against you.”

    • use the provided templates for entertaining objections
      • Example: Of course, many will probably disagree because…
    • use the templates for informally introducing objections
      • Here’s one: However, does the evidence I’ve cited prove that…
    • use the templates for making concessions while still standing their ground
      1. Here’s one: On the one hand, I agree with X that _____. But on the other hand, I still insist that___.
  • Connecting the Parts (Chapter 8) is actually the first of the three areas I use from the book with my students.  Outside of argument writing, showing students how to connect their sentences, how to make their ideas flow from the beginning of their essay to the very end, is something that students struggly with greatly. Templates provide a concrete way to learn a skill, and while there are no templates for connecting the parts, there are transitions and a few key moves that writers make to create writing that flows.
    • The book provides a variety of transitions for elaboration, example giving, contrasting, conceding, and others.
    • It suggests using pointing words, but carefully. These are words such as this, those, and other demonstrative pronouns. (For me personally, I don’t spend much time on this tip because I also know that students struggle with vague pronoun references. Skilled writers only would be able to distinguish”and skillfully use pointing words without inadvertently creating vague pronoun references.)
    • It suggests using key terms and phrases. I use this a lot in my own writing. Repeating a specific word here and there can uphold the ideas I’m writing about.
    • It also suggests “repeating yourself, but with a difference.” In other words, writers should always figure out different ways to express the same idea in order to flesh out or develop them. That builds clarity. I require students often to begin sentences with “In other words,…” where appropriate. “In other words,” is hugely important and helpful. I’ve had one high school student come back to my classroom who told me that using that one simple phrase helped them greatly with developing  their essays.

Another bonus: They Say I Say includes “readings” in each chapter, mentor texts that show the methods being explained in the chapter. These are super valuable, even though some are too advanced. Choose carefully.

Check out Amazon.com and see if you can find a used copy of They Say I Say. It has some real teaching gems that have helped me in conveying clearly some very important methods that students can employ to better develop their writing. And again, I don’t use the whole book, but just the three chapters above (and only excerpts of those chapters, actually).

Idea development, including elaboration and interpretation, is probably the most difficult concept to teach and this book, although a college-level text, has really helped me in my teaching.


Thanks for reading! Click like and leave a comment if you have a question or have any other resources for teaching elaboration and interpretation in academic writing.  Follow my blog for more about middle school ELA teaching.

Every Teacher Needs a “Why I Teach” Binder

Reading notes from my current and former students is an instant pick-me-up

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Do you have special notes, drawings, letters or small trinkets that students have given to you over the years?

About two years ago, I finally decided to keep track of those treasures by putting them into a box. However, the box took up so much space in my closet (read this post) that I finally decided to recycle a three-ring binder that I no longer needed for the purpose of holding all these reminders of “why I teach.” I transferred all those loose notes and other gifts into plastic page protectors and then placed all of those into the binder.

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It’s a blessing when students take the time to write a note!

My “Why I Teach” binder is a better solution than that old box; it’s easy to find and doesn’t take up much space since it stores alongside all my other notebooks.

I absolutely love pulling that binder from the shelf every so often for the instant boost it gives me.

Reading the notes and cards and letters from former and current students is such a gift.

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Gifts such as this Christmas tree ornament store nicely in a page protector.

At the end of a particularly long day or week, flipping through my “Why I Teach” binder provides a brief moment of quiet reflection, where I can recall those students who are now in high school or beyond… those students whom I had the pleasure of knowing during their middle school years, which are arguably the toughest years of anyone’s life.

Reading my students’ ideas, their thoughtful gratitude, and their humor brightens my day.

It doesn’t just remind me why I teach, but proclaims it!