Here’s what Writer’s Workshop looks like in my middle school classroom

I’m so glad I didn’t give up on what is now one of my favorite activities

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Since I began teaching seven years ago, I’ve learned that sometimes it may be necessary to try a new technique, a new curriculum unit, or simply a new idea more than once in order to fairly assess its effectiveness.

Usually, the first time I try anything, it fizzles. At the conclusion of the semester, when students were turning in their final drafts of their projects, I was glad Writer’s Workshop (WW) was finally over. I didn’t like the unstructured nature of class time that the workshop encouraged. Perhaps my classroom management skills weren’t up to par, or perhaps I’ve just relaxed a little. Perhaps it’s a bit of both, but the less structured nature doesn’t concern me like it used to because…

I’m sold on Writer’s Workshop now.

Besides, my WW is fairly structured in its procedure to begin with. That built-in structure requires that kids stay on task. If I had decided to give up on WW after my first attempt, or even the second, I would have missed out on an activity that some students say is their favorite. Many students seem to like coming into class, having a short lesson, and then being able to work at their own pace on the projects of their choosing.

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Zoom in to see the Writer’s Workshop project list for 7th graders. Students choose eight projects from the list of twelve. The procedure for each assignment is on the back.  This entire procedure is based on one by K-12 teacher Corbett Harrison.

Writer’s Workshop puts these two things front and center: student choice and the writing process. Here’s what it looks like in my classroom: Every student gets a project sheet that lists about twelve possible writing projects. The list includes a mix of discourses: narrative, informational, argument, and poetry.  I usually don’t specify how many of each discourse they must do, since there’s enough of a mix to guarantee they’ll write a variety.  Kids must complete eight projects of their choice in a given time period. This fall, we started Writer’s Workshop on November 1, and their final portfolios are due Dec. 14. Here’s the rest of the basic procedure:

  • On day one of WW, as a class, we discuss the entire project list. Some of the assignments are new and don’t require that we go over them, but I introduce a few new projects each time, so we make sure to briefly discuss those. I pass out an assignment sheet to each student and we talk through each assignment, brainstorm some ideas, and talk about other details such as that assignment’s word count requirement.
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These two racks hold all the paperwork for Writer’s Workshop. On the left are the 7th and 8th grade project lists and responder sheets. On the right are the folders that contain the individual assignment sheets for each project, as well as mentor texts, and contest guidelines, if applicable.
  • After discussing each assignment, I gather up the project sheets and put them in a manila folder labelled with the project name in a rack on a book shelf at the front of the classroom for kids to reference later when they need them. (By the way, the procedures for WW are listed on the back of each project assignment sheet.)
  • Writers choose a project, read through the project’s assignment sheet, and then brainstorm, and write a first draft. The first drafts can be handwritten or typed at this point; eventually, they’ll need to be typed.
  • After completing a first draft, writers must find a classmate to be their reviewer, who will provide feedback and suggestions for revisions. This is done by attaching a narrative, informative, argument, or poetry responder sheet to the first draft. (The responder sheets are also kept in labeled manila folders in a rack next to the assignment project sheets at the front of the room.)
  • The reviewer then must answer in writing four questions listed on the responder sheet. The reviewer writes their answers on the back of the responder sheet on the lines provided. One thing I learned after my first WW attempt: If I don’t provide lines on the back of the page, students won’t write their answers down. They’ll simply jot a few very brief notes, or just tell the writer, “It was great. You don’t need to change anything. The lines on the back of the responder sheet holds students accountable to be more thorough with their feedback. I check these first draft sheets and talk with students who aren’t doing their fair share of feedback.
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Zoom in to read this responder sheet for an argument assignment. There is one of these sheets for poetry, informative, and narrative assignments, as well. Students must answer at least four questions about a classmate’s first draft on the backs of these sheets. Writers make changes to their first draft based on the answers their reviewer provides. After making their changes, writers staple their first draft and the responder sheet to their second draft and place it in my WW box for my feedback.
  • After providing their feedback, the reviewer gives the first draft and responder sheet back to the writer, who makes revisions, edits, and any other changes suggested. This creates a second draft, which the writer then places (with the first draft and responder sheet) in my second draft box. I do set a deadline for students to turn in their second drafts. At this point, that second draft deadline is one week before final portfolios are due. (I may need to reset that deadline to an earlier date.)
  • I read the second draft and fill out my own responder sheet, which has my suggestions and notes for the student. I ask that students give me a few days to return their second drafts to them.
  • After I return the second draft to the writer, they generate a third and final draft, referring to my ideas, revisions and edits that I suggest. While I don’t have time to mark every issue I notice on a paper, I do make sure that students understand what I do mark. I’ll usually talk with students when I hand their second draft back to them. This is always a good time to get in some one-on-one conferencing with each student, which, by the way, I am doing now on my phone with the help of Google Forms.  (I’ll explain this new experiment from Two Writing Teachers in a future post after I become more accustomed to it.)
  • After completing their final draft, students compile all three drafts, responder sheets, and any prewriting or brainstorming and staple their “latest greatest” final draft on top. They then keep these finished projects in a two-pocket folder in a file cabinet in my room. On December 14, these folders will be turned in. And yes, I get it, that’s a lot of work being turned in at once; however, I’ve already seen every assignment in the folders (if students put their second drafts in the box). It’s basically a matter of verifying that students used the writing process to complete the assignments.
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You’ll need to zoom in to see what’s inside my memoir assignment folder. This folder contains the instructions for the memoir, three student-written mentor texts, and two handouts with memoir topic ideas. Students use any or all of these as they need them. 

only aspect of WW I’d like to change for next time would be a more direct way for students to publish their work. Right now, I plan to post articles and stories and poetry in the hallway or in my room. Next semester, if all goes well, I will be having students choose which of their projects they would like to publish online in their Kidblog portfolio. (Again, that’s another future post.) Having an audience and a readership is crucial for motivating kids to write; I know this from my own writing experience on this blog and on Medium.com.

Here’s where I give credit where credit is due:

My Writer’s Workshop format is based on one designed and used by Corbett Harrison, a K-16 teacher with an EXTREMELY comprehensive website I located on the internet. Search his site (and its associated Northern Nevada Writing Project and WritingFix websites) for all kinds of ELA materials and ideas. (In fact, block out an hour or two if you intend to look at his site. It’s chock full of ideas and resources.)  In the past, I’ve also had success with his creative approach to vocabulary instruction that provides as much choice and accountability as his WW.

Harrison offers a free 18-page PDF that explains how he facilitates WW in his middle school classroom. This PDF also includes the responder sheets and my second draft responder sheet.  I can’t recommend Harrison’s plans enough. If you haven’t tried WW in your classes, his would be a good place to start. The plans have definitely worked for me by providing me a template to tweak here and there over the past couple of years. I’m so glad I didn’t give up on this solid, necessary, tried-and-true activity in my middle school ELA classroom.


Thanks for stopping by! Click like and follow this blog for more posts about middle school ELA. Also, feel free to leave a comment about how you approach Writer’s Workshop in your classroom. 

Countdown to novel writing

This November. Nanowrimo. Finally.

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Photo by Hannah Olinger on Unsplash

November is National Novel Writing Month and this fall, I’m writing a first draft of my first novel in thirty days! I have always wanted to take on Nanowrimo, but the idea of writing a novel has always scared me to death. This year, however, I think I’ll approach this behemoth with a group of my students who have expressed interest in going on this journey with me in Nanowrimo’s Young Writers Program.

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A screenshot of my post to my students on my private class Instagram account about Nanowrimo.

Yesterday, I posted about Nanowrimo’s student program on my private class Instagram account. I asked those students who were interested to let me know in the comments. Several did exactly that!

So this summer, I’ll be collecting resources and doing some research on how to approach the program with students. I do know we’ll be setting a daily word-count goal, which means that we’ll need to meet daily for thirty days (after school most likely) to crank out our novels.

Our point in meeting for thirty days after school is not to create perfect first drafts, but adequate first drafts. Some of the drafts will be shakily plotted and some of them might have less-than-stellar characterization, but that’s okay! The point is to create a first draft that’s ripe for revision. In short, the program is designed to get writers actually writing their novels, not just thinking about writing their novels. Amen to that! How many times have I told myself that “someday” I’m going to write a novel?! Nanowrimo provides the framework to defeat procrastination and just get a novel written.

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If you do a quick Google search of “Nanowrimo young writers program,” you’ll find a guide for educators. You can print out a PDF of a workbook for students. It explains how to build an online class profile with individual records of student progress. Students can create their own accounts that track their own word count progress. At the end of the thirty days, if they’ve met their goals, they win recognition and the capability to print out their novels.

Because the students will end with a first draft, we’ll probably print these out and consider them WIPs (Works in Progress), and then continue to revise them throughout the year. Perhaps by the end of the year, we’ll have a second draft!

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Here’s a printable poster you can download from educators’ resources at the Nanowrimo Young Writers Program.

But that’s a long way off and there’s much planning to be done. It’s good to know, however, in the meantime, that I have the first requirement taken care of: my students are enthusiastic to accomplish this goal with me.


Have you ever tried Nanowrimo? How did it go? Did you try it with your classes? I’m open to any information you have about Nanowrimo. Click “like” and leave a comment about your novel writing experiences!