I came across this book, They Say I Say (Third Edition, 2015), when my son’s college English composition instructor required it for his freshman-level course. I thumbed through it, read a few chapters, and found some very concise passages written to help students solve probably the number one problem that I see in their academic writing: a lack of idea development.
While this is a college-level text, I use three points from it with my middle school students because of how easily accessible the explanations are. I’ll be honest. It’s hard for me to explain how to interpret a quote, how to elaborate, etc. It’s really a skill learned with practice. Still, kids need an introduction to it before they can practice.
This text puts into words these difficult concepts and how to master them. I usually use a combination where I read-aloud from copies of the text and then all-class discussion during and after reading.
Here are the three areas that I have pulled from this book and use with my seventh- and eighth-graders to teach them 1) how to quote sources, 2) how to write a counter-argument, and 3) how to make their writing flow. Here are the parts of the book that help me teach these three things:
- The Art of Quoting (Chapter 3) gives great advice for how to adequately introduce evidence into expository writing. For example, writers should:
- quote only relevant passages
- frame or introduce every quotation with a little background that builds up to the quote and provides context
- don’t be a hit-and-run quoter… after presenting the quotation, writers should stay “on the scene” and explain how the quote supports the point being made
- try the templates in the chapter that can be used for both introducing quotations and explaining quotations
- blend the author’s points with the writer’s
- Putting a Naysayer in Your Text (Chapter 6) offers students good ideas for adding counter-arguments and rebuttals to their arguments. For example, writers should:
- anticipate objections. Here’s a passage I read aloud and then we discuss as a class:
“But wait, you say. Isn’t the advice to incorporate critical views a recipe for destroying your credibility and undermining your argument? Here you are, trying to say something that will hold up, and we want you to tell readers all the negative things someone might try against you? Exactly. We are urging you to tell readers what others might say against you, but our point is that doing so will actually enhance your credibility, not undermine it. As we argue throughout this book, writing well does not mean piling up uncontroversial truths in a vacuum; it means engaging others in a dialogue or debate– not only by opening your text with a summary of what others have said,… but also by imagining what others might say against your argument as it unfolds. Once you see writing as an act of entering a conversation, you should also see how opposing arguments can work for you rather than against you.”
- use the provided templates for entertaining objections
- Example: Of course, many will probably disagree because…
- use the templates for informally introducing objections
- Here’s one: However, does the evidence I’ve cited prove that…
- use the templates for making concessions while still standing their ground
- Here’s one: On the one hand, I agree with X that _____. But on the other hand, I still insist that___.
- use the provided templates for entertaining objections
- Connecting the Parts (Chapter 8) is actually the first of the three areas I use from the book with my students. Outside of argument writing, showing students how to connect their sentences, how to make their ideas flow from the beginning of their essay to the very end, is something that students struggly with greatly. Templates provide a concrete way to learn a skill, and while there are no templates for connecting the parts, there are transitions and a few key moves that writers make to create writing that flows.
- The book provides a variety of transitions for elaboration, example giving, contrasting, conceding, and others.
- It suggests using pointing words, but carefully. These are words such as this, those, and other demonstrative pronouns. (For me personally, I don’t spend much time on this tip because I also know that students struggle with vague pronoun references. Skilled writers only would be able to distinguish”and skillfully use pointing words without inadvertently creating vague pronoun references.)
- It suggests using key terms and phrases. I use this a lot in my own writing. Repeating a specific word here and there can uphold the ideas I’m writing about.
- It also suggests “repeating yourself, but with a difference.” In other words, writers should always figure out different ways to express the same idea in order to flesh out or develop them. That builds clarity. I require students often to begin sentences with “In other words,…” where appropriate. “In other words,” is hugely important and helpful. I’ve had one high school student come back to my classroom who told me that using that one simple phrase helped them greatly with developing their essays.
Another bonus: They Say I Say includes “readings” in each chapter, mentor texts that show the methods being explained in the chapter. These are super valuable, even though some are too advanced. Choose carefully.
Check out Amazon.com and see if you can find a used copy of They Say I Say. It has some real teaching gems that have helped me in conveying clearly some very important methods that students can employ to better develop their writing. And again, I don’t use the whole book, but just the three chapters above (and only excerpts of those chapters, actually).
Idea development, including elaboration and interpretation, is probably the most difficult concept to teach and this book, although a college-level text, has really helped me in my teaching.